CBSE Academic Class XII Hindustani Music Sample Question Paper 2019-20 : cbseacademic.nic.in

Name of the Board : CBSE Academic
Class : XII STD
Document Type : Sample Question Paper SQP 2019-20
Subject : Hindustani Music
Year : 2019-20
Website : http://cbseacademic.nic.in/SQP_CLASSXII_2019_20.html

CBSE XII Hindustani Music Question Paper

Download Question Paper of Class XII Hindustani Music 2019-20 is now available in the official website of CBSE Academic.

Related : CBSE Academic Class XII Informatics Practices Sample Question Paper 2019-20 : www.pdfquestion.in/34715.html

Melodic Questions

Section I :
1. Tick the correct answer
a) In Raga Shuddha Sarang, both varieties of which swara is used
(i) Rishabh
(ii) Madhyam
(iii) Gandhar
(iv) Nishad

b) Choose the correct descent of Raga Bhairav
(i) Sa Ni Dha Pa Ma Re Sa
(ii) Sa Ni Dha Pa Ma Ga Re Sa
(iii) Sa Ni Dha Pa Ma Ga Re Sa
(iv) Sa Ni Dha Pa Ma Ga Re Sa

C) In Tala Dhamar, Khali falls on the beat
(i) 8th beat
(ii) 7th beat
(iii) 9th beat
(iv) 6th beat

d) Which Ragas has Madhyam Vadi and Shadaj Samvadi?
i) Bageshri – Bhairav
ii) Malkauns – Shuddha – Sarang
(iii) Bhairav – Shuddha Sarang
(iv) Bageshri – Malkauns

e) 3 4 5 indicates the Tala
Dhi Dhi Na
(i) Rupak
(ii) Jhaptala
(iii) Tilwada
(iv) Dhamar

f) Which notes are omitted in the ascent of Raga Bageshri
(i) Re – Dha
(ii) Ma – Ni
(iii) Ga – Pa
(iv) Re – Pa

Section – II :
Write short notes on any three of the following
(i) Murchhana
(ii) Gamak
(iii) Varna
(iv) Meend
(v) Alankar
(vi) Zamzana
Or
Give the contribution to music by any two of the following
(i) Alauddin Khan
(ii) Mushtaq Ali Khan
(iii) Inayat Khan

Section – III :
Recognize the Ragas from the following phrases and write Razakhani Gat in any one of the identified Ragas.
(i) Ga Ma Dha Pa, Ga Ma Re Sa
(ii) Ga Ma Ga Sa, Ni Sa Dha Ni
(iii) Re Ma Pa Ma Re Sa
Or
Describe the various parts of the instrument opted for along with its tuning.

Section – IV :
Discuss the musical contents given in Sangeet Parijat.
Or
Discuss the classification of Ragas during Ancient and Modern period.

Section – V :
Discuss the historical development of Time theory of Ragas in brief.
Or
Write Thah and Tigun of Rupak Tala and Thah and Chaugun of Dhamar Tala in Tala Notation.

Percussion Questions

Section I :
1. Tick (v) the correct answer
a) Which Gharana starts the performance of Tabla with ‘Uthan’?
(i) Banaras
(ii) Delhi
(iii) Ajrada
(iv) Punjab

b) “Dhi Kra Dhin Dha Sdha Dhin Dha“ is used in which Bandish?
(i) Peshkar
(ii) Tukda
(iii) Rela
(iv) Kayada

C) ‘Chanti Baaj ‘ belongs to
(i) Delhi
(ii) Punjab
iii) Banaras
iv) Punjab

d) How many ‘Vibhag’ and ‘Khali’ are there in Chautala?
i) 6 vibhag 2 khali
(ii) 5 vibhag 3 khali
(iii) 4 vibhag 1 khali
(iv) 4 vibhag 4 khali

e) Choose the correct Bols of Teentala –
i) 9 10 11 12
— — Dhin Dha 0
(ii) 9 10 11 12
Dha — Tin Ta 0
(iii) 1 2 3
— Dhi Na
0
(iv) 3 4 5
Dhi Dhi Na
x

f) 13 14 15 16 indicates the Tala
Dha Dha Dhin Dhin
i) Teentala
ii) Rupak
iii) Chartala
iv) Tilwada

Section – II :
Write the Theka of Rupak or Tevara in Thah, Dugun and Chagun laya with Tala Notation System.
Or
Write one Kayada or Rela with one Palta and Tihai in Teentala or Aditala with Tala Notation System.

Section – III :
Write in detail about Tigun & Ada ki Laykari.
Or
Write any of two specialty of any of two Gharanas of Tabla or pakhawaj.

Section – IV :
4. Write the history of Tabla or Pakhawaj in detail.
Or
Write the Percussion instruments of Medieval period.

Section – V :
5. Write in detail about ustad Zakir Hussain.
Or
Write in detail about musical contribution of Pt. Pagal Das.

Download XII Hindustani Music Question Paper 2019-20 :
Melodic :
https://www.pdfquestion.in/uploads/pdf2019/34721-HM.pdf

Percussion :
https://www.pdfquestion.in/uploads/pdf2019/34721-HP.pdf

Vocal :
https://www.pdfquestion.in/uploads/pdf2019/34721-HV.pdf

Vocal Questions

Section I :
1. Tick (v) the correct answer
a) In which Raga both the Madhyams are used
(i) Bhairav
(ii) Shuddha Sarang
(iii) Bageshri
(iv) Malkauns

b) Correct arrangement of Vibhagas in Dhamar Tala
(i) 1 2 3 4 5 / 6 7 / 8 9 10/ 11 12 13 14
(ii) 1 2 3 4 / 5 6 7 8 / 9 10/ 11 12 13 14
(iii) 1 2 / 3 4 5 / 6 7 8 9 / 10 11 12 13 14
(iv) 1 2 3 4 5 / 6 7 8 / 9 10/ 11 12 13 14

C) In which Ragas Komal Dha is used
(i) Bhairav – Shuddha Sarang
(ii) Bageshri – Bhairav
(iii) Bhairav – Malkauns
(iv) Malkauns – Shuddha Sarang

d) Aroh of Raga Bhairav is
(i) Sa Re Ga Ma Pa Dha Ni Sa
(ii) Sa Re Ga Ma Pa Dha Ni Sa
(iii) Sa Re Ga Ma Pa Dha Ni Sa
(iv) Sa Re Ga Ma Pa Dha Ni Sa

e) In Tala Jhaptal Khali falls on the beat
i) 5th beat
(ii) 9th beat
(iii) 6th beat
(iv) 4th beat

f) Which swaras are not used in the Aroh of Bageshri
i) Ma – Ni
ii) Re- Dha
iii) Re – Pa
iv) Ga – Pa

Section – II :
2 Define any three of the following
(i) Dadra
(ii) Gram
(iii) Varna
(iv) Alankar
(v) Gamak
(vi) Murchhana

Describe in brief the contribution to music by any two of the following
(i) Faiyaz Khan
(ii) Krishna Rao Shankar Pandit
(iii) Abdul Karim Khan

Section – III :
3 Recognize the Ragas from the following phrases and write notation of Drut Khayal in one of the identified Ragas
(i) Ga Ma Dha , Ga Ma Ga Ni Sa
(ii) Ga Ma Re Re, Ga Ma Dha Dha Pa
(iii) Ni Dha Ma Pa Dha Ma Ga
Describe the various parts of the Tanpura along with its tuning.

Section – IV :
4. Give a detailed account of Sangeet Ratnakar.
Or
Discuss the classification of Ragas during Medieval and modern period

Section – V :
5 Write Thah and Chagun of Tilwada Tala and Dugun and Tigun of Rupak Tala.
Or
Discuss the historical development of time theory of Ragas in brief.