Central Board Of Secondary Education NET Karnatak Music Paper II Model Question : cbsenet.nic.in

Organisation : Central Board Of Secondary Education
Exam : National Eligibility Test (NET)
Document Type : Model/Previous Question Paper
Subject : Karnatak Music
Date/Year : 10.07.2016 & 28.08.2016

Website : http://cbsenet.nic.in/cbsenet/QuestionPaperJuly2016.aspx
Download Sample Question Paper :
Paper 2 10.07.2016 : https://www.pdfquestion.in/uploads/10600-KarnatakMusic.pdf

Karnatak Music Model Question :

Note :
** This paper contains fifty (50) objective type questions of two (2) marks each.
** All questions are compulsory.

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1. Rudra-Pa
(1) Kantamani
(2) Chitrambari
(3) Rishabhapriya
(4) Neetimati

2. ‘Malavi’ Janya of
(1) 24
(2) 26
(3) 17
(4) 28

3. Frequency of ‘Gaula Rishabham’ is
(1) 250/243
(2) 256/243
(3) 260/245
(4) 252/243

4. Who is the composer of “Venkatesa Pancharatnam” ?
(1) Veena Kuppayyar
(2) Thiruvottiyur Thyagayyar
(3) Vadivelu
(4) Paidala Gurumurthy Sastri

5. Match the following :
List – I List – II
a. Sundari ninnu varnipa i. Panchalinga Kriti
b. Samagondalo ii. Tiruvottiyoor Pancharatna
c. Jamboopati iii. Shymashastri Samudaya Kriti
d. Mayamma iv. Kalahastisha Pancharatna
Codes :
a b c d
(1) ii iv i iii
(2) i iv iii ii
(3) iii i ii iv
(4) iv iii ii i

6. Katha kalakshepams was an evolution of
(1) Yezhadi
(2) Nritya Natakas
(3) Puranapatanam
(4) Sankirtanam

7. Which rhythm instrument is used in ‘Kottipadu Seva’ (Sopana Sangitam) ?
(1) Chenda
(2) Edakka
(3) Udukku
(4) Maddalam

8. Pick out the odd one :
(1) Rudrapriya
(2) Salagabhairavi
(3) Shrutiranjani
(4) Shuddha Bangala

9. ‘Kamini Mani Sakhi’ composed by Swati Thirunal is a
(1) Samvada Padam
(2) Jawali
(3) Sringara Padam
(4) Dandakam

10. Who is the author of “Krishnaleela Tharangini” ?
(1) Narayana Theerthar
(2) Gopala Krishna Bharati
(3) Arunachala Kavirayar
(4) Bhadrachalam Ramadas

11. Which is not a wind instrument ?
(1) Magudi
(2) Damaru
(3) Ekkalam
(4) Nedunkuzhal

12. Sequence the following Janya ragas according to their melas :
(1) Kedaram, Jingala, Phalamanjari, Jujavali
(2) Jujavali, Phalamanjari, Jingala, Kedaram
(3) Jingala, Jujavali, Phalamanjari, Kedaram
(4) Jujavali, Jingala, Phalamanjari, Kedaram

13. ‘Panniyatiram’ of Tamil Music equivalent to
(1) Audava raga
(2) Shadava raga
(3) Sampurna raga
(4) Svarantara raga

14. Raga Saindhavi is derived from
(1) 29th Mela
(2) 22nd Mela
(3) 28th Mela
(4) 20th Mela

15. Placing the fingers at different positions while singing Samagana is
(1) Gatra Veena
(2) Chitra Veena
(3) Chanting
(4) Aranyagana

16. Sthaya or Thaya was mainly adopted in
(1) Tana
(2) Alapti
(3) Rupakalapti
(4) Prabandha

17. The frequency of Trisruti Rishabha :
(1) 16/15
(2) 256/243
(3) 10/9
(4) 98

18. Suddha Scale of ancient Tamil music was
(1) Hari Kamboji
(2) Kharaharapriya
(3) Sankarabharanam
(4) Mayamalavagaula

19. 24th Melakarta is
(1) Ramapriya
(2) Suvarnangi
(3) Shymalangi
(4) Varunapriya

20. Composer of the Navaragamalika Varna :
(1) Swati Tirunal
(2) Chinni Krishnadasa
(3) Sarangapani
(4) Patnam Subramanya Ayyar

21. Not a Palai :
(1) Kokkilai
(2) Vilari
(3) Ulai
(4) Tuttam

22. Not a Samudaya Kriti
(1) Sundari ninnu Varnipa
(2) O Rangashayi
(3) Jootamorare
(4) Marubalka

23. Not a Murchana
(1) Uttaramandra
(2) Kalopanata
(3) Matsarikrita
(4) Raktagandhari

24. Composer of Geya Natakam “Pallaki Seva Prabandham” :
(1) Tyagaraja
(2) Gopala Krishna Bharati
(3) Shahji Maharaja
(4) Arunachala Kavirayar

25. “Udghata” is the name of
(1) Raga
(2) Place
(3) Tala
(4) Instrument

26. A Vivadi mela
(1) Dhavalambari
(2) Ragupriya
(3) Suvarnangi
(4) Jyotisvarupini

27. ‘Mahati’ is another name for
(1) Saraswathi Veena
(2) Rudra Veena
(3) Balasaraswathi
(4) Swarabat

28. How many strings were there in “Sengottiyazh” ?
(1) 07
(2) 21
(3) 14
(4) 16

29. Example for anagata graha
(1) Mahimadakinchu
(2) Sringara-rasa
(3) Rajarajaradhite
(4) Pahimamshri

30. Assertion (A) : Art suffers from too much of codified rules.
Reason (R) : Rules limit the freedom of improvisation.
Codes :
(1) (A) is correct (R) is wrong.
(2) Both (A) & (R) are correct.
(3) Both (A) & (R) are wrong.
(4) (A) is wrong (R) is correct.

31. Choose the correct sequence of ragas from the following according to Upanga, eka anyasvara, drianya svara, and trianya svara bhashanga ragas :
(1) Manji, Suposhini, Hindustani Behag, Hindustani Kapi
(2) Suposhini, Manji, Hindustani Behag, Hindustani Kapi
(3) Suposhini, Manji, Hindustani Kapi, Hindustani Behag
(4) Hindustani Behag, Suposhini, Manji, Hindustani Kapi

32. In the process of ‘Model Shift Tonic’ Rishabham of Sankarabharanam will produce
(1) Kharaharapriya
(2) Kalyani
(3) Todi
(4) Harikamboji

33. Kinds of Veenas based on tuning mentioned in Swaramela Kalanidhi
(1) 4
(2) 6
(3) 3
(4) 5

34. Composer of Vidudi Kirtanas :
(1) Ramnad Srinivas Iyengar
(2) Gopala Krishna Bharati
(3) Swati Thirunal
(4) Chengalvaraya Shastri

35. The svaras constituing a phrase in a raga endowed with gamaka is
(1) Thaya
(2) Tana
(3) Gitika
(4) Kampita

36. Composer of ‘Kavadi Chindu’ :
(1) Subramanya Bharati
(2) Papanasam Shivan
(3) Annamalai Reddiyar
(4) Anayya

37. Most important phrase in ‘Sahana’ raga :
(1) r ~ ~ ~ g m p m
(2) s n d n d p
(3) r g m p d
(4) n n n d p

38. ‘Tarangini’ in the Asampoorna Melapadhati corresponds to
(1) Raga Vardhini
(2) Sarasangi
(3) Charukesi
(4) Mararanjini

39. The svara on which the first section of a song ends is
(1) Vinyasa
(2) Samnyasa
(3) Apanyasa
(4) Nyasa

40. Composer of ‘Vibhakti Kriti’ :
(1) Tyagaraja
(2) Mutthuswami Dikshitar
(3) Syamasastri
(4) Muthayya Bhagavatar